People is a film shot behind closed doors in a workshop/house on the outskirts of Paris and features a dozen characters. It is based on an interweaving of scenes of moaning and sex. The house is the characters' common space, but the question of ownership is distended, they don't all inhabit it in the same way. As the sequences progress, we don't find the same characters but the same interdependent relationships. Through the alternation between lament and sexuality, physical and verbal communication are put on the same level. The film then deconstructs, through its repetitive structure, our relational myths.

The Red Mountain Tribe hangs out in my backyard. "Lipton's lovely home movie PEOPLE, in its affection for valuable inconsequential gestures, indicates in the course of its three minutes why there has to be a continuing alternative to the commercial cinema." – Roger Greenspun, The New York Times

Balto cautivó al público en todo el mundo. Ahora la aventura continúa y esta vez no está solo. Balto tiene una nueva hija, Aleu. Cuando la joven se da cuenta de que nunca la aceptarán como al resto de sus hermanos, porque su apariencia es más de lobo que de perro, sufre mucho y se escapa de casa para descubrir el sentido de la vida y encontrar su rinconcito en el mundo. Balto, preocupado, parte en busca de Aleu, y así comienza esta epopeya lobuna por los gélidos páramos de Alaska. Es una aventura espectacular y tierna a la vez que nos habla del valor, la realización personal y las emociones, y que permanecerá en los corazones del público para siempre. (FILMAFFINITY)

In their pursuit of perfect Christmas well - known characters accompanied by some new faces happen to experience tiny miracles! The adventures they come across help them realize that the most important things in life - hope, acceptance and family - are within their reach and that real love is the best Christmas present!

En el pasado, el arquitecto Paul Kersey supo lo que era que su familia y otros seres queridos le fuesen arrancados de su lado por diferentes delincuentes. Ahora, Kersey parece haber alcanzado definitivamente la paz al lado de Olivia, una bella diseñadora de modas. Pero Tommy, el ex marido de ella y jefe de una banda de matones, vuelve a entrar en su vida y le propina una brutal paliza cuando Olivia se niega a pagar su protección. Sabiendo que carece de pruebas apra acudir a la ley, Kersey volverá a empuñar la pistola para defender a los que ama.

A killer for the Russian Mafia in Vienna wants to retire and write a book about his passion - cooking. The mafia godfather suspects treason.

The Russian version of the movie "Fight Club" is not just a Russian version of a well-known cult film, it is the result and of the hard work of two young men and their love for cinema, Alexander Kukhar (GOLOBON-TV) and Dmitry Ivanov (GRIZLIK FILM) , who are responsible for this project, from the development of its idea and the selection of the cast, to the organization of filming and financial support. Filming lasted a whole year. Everyday work, constant trips, searching for suitable film sets and an exhausting schedule - all this was not in vain and resulted in an unusually amazing and original project - the film "Fight Club", created in the very heart of southern Russia, in the city of Krasnodar, by two young people

"We" is a visual essay on the state of being connected – a metaphorical study of interpersonal relationships and social constraints. Personal experiences and current social contexts are portrayed through a series of abstract analogies reflecting the essence of our everyday social interactions.

Centered around a group of individuals, who come to experience magical moments over the course of one day. Full of the power of family, love and the spirit of forgiveness. Each individual comes to realize that Christmas, more than any other time of the year, is full of wonder and surprises.

Six vignettes pit an assortment of characters against each other in everyday situations.

Cuando el equipo de héroes secuestra un carro de combate a vapor, la joven maga Marek consigue robar la pieza final de la todopoderosa Darkspore y se embarca en una carrera desesperada para entregar el artefacto maldito bajo la custodia de los dioses. Durante su huida se ven atrapados en entre un equipo de implacables mercenarios de élite y una trinidad de los demonios, en ese momento, Marek debe aprender a creer en sí misma antes de que sus amigos esten muertos y la Darkspore se pierda, y evitar que el nigromante mal (Szorlok) se unan a la Darkspore e inunde el mundo de los vivos con sus legiones de muertos vivientes.

Secuela de "Dinero fácil" (Snabba Cash, 2010).

I was somewhere between the beggining and the end of life. After winter became spring, and summer became fall, and fall winter again. I always knew change would be constant.

Happily ever after has a bumpy start for a young couple in a magical land when the husband is sent off to battle by a jealous prince.

Three best friends, sworn virgins, get into a fight with local boys. When things get rough, they are saved by a girl in the making.

TV Special converting a Disney fan's house into their dream home.

The Lindenhof School is expecting a busload of proper young English ladies as exchange students. The shock is great when the students turn out to be teenage boys! But while Mademoiselle Bertoux is delighted to stage “Romeo and Juliet” with real boys, both Hanni and her sister Nanni fall for their “Romeo,” Clyde.

Las tres agentes están de vuelta; Los ángeles están dispuestas a dar guerra para recuperar una información encriptada en dos anillos, que revela las identidades de todas las personas acogidas al programa de protección de testigos. Cuando éstos empiezan a morir, sólo las intrépidas chicas podrán detener al responsable, usando su experiencia en el camuflaje, espionaje y artes marciales. Además se las tendrán que ver con un ángel caído –Demi Moore–.

Ambientada en el histórico alunizaje del Apolo 11, en 1969. Llamados para mejorar la imagen pública de la NASA, las chispas vuelan en todas las direcciones cuando la prodigio del marketing Kelly Jones causa estragos en la ya difícil tarea del director de lanzamiento Cole Davis. Cuando la Casa Blanca considera que la misión es demasiado importante para fracasar, Jones recibe la orden de simular un alunizaje falso como respaldo y comienza la verdadera cuenta atrás.