Triplemania XXIV was a professional wrestling event produced and scripted by the Mexican professional wrestling promotion AAA or Triple A. The event took place on August 28, 2016, and was held in the Arena Ciudad de México in Mexico City, Mexico.

A portrait of teen escort, 'Coco'.

Clara (40) regresa a la centenaria estancia patagónica, con Martína (8), su pequeña hija, luego de veinte años de ausencia. Allí la espera su papá, Daniel (75), con el que Clara está distanciado por un viejo e inútil rencor. La estancia ha envejecido como su padre y a los problemas habituales se suma una jauría de perros salvajes que diezman a los rebaños y los acechan. Clara deberá llegar hasta su Lado Salvaje para salvar a su padre, resolver sus contradicciones, y recuperar a su familia.

Conrad Cat runs afoul of a magician's bird.

Ian Cheney and Curt Ellis have traded their combine for a canoe, and they're setting out to uncover the ecological consequences their little acre of corn sent into the 'Big River' downstream.

This documentary features women of different ages, races, and economic backgrounds who boldly speak about having had an abortion. This diverse collection of stories articulate and connect the viewer to powerful, sometimes graphic, recollections of the physical and emotional experience. The different types of procedures are also plainly described by doctors who counsel women and provide valuable information that was mostly unavailable at the time. Some stories are marked by pain and shame, others by relief and gratefulness that the option is available. As the film was made before the 1973 Roe v. Wade decision, most of the procedures described are illegal. The film documents a powerful argument for women’s right to choose that is still markedly relevant today. It offers significant reflection on abortion, a topic some have wished, and may perhaps still wish, not to address.

Horst Krause tries to successfully couple his young cook.

Paramore play songs from their album, 'Brand New Eyes,' exclusively for MTV Unplugged. Set List: 1. Ignorance; 2. That's What You Get; 3. Misery Business; 4. Brick by Boring Brick; 5. Decode

Brushing your teeth is so boring ugh! Two friends are stuck in the same old routine but after an unusual encounter shakes things up might they start to see things differently?

Me and my Kid Brother and the Smugglers is a 1968 Danish comedy film directed by Lau Lauritzen Jr. and starring Dirch Passer.

In this musical gem, big-hearted Jubal Bristol (Arnold Stang) takes it upon himself to mount a country and western benefit concert after the opera company that his wife (Pamela Hayes) booked suddenly backs out. Along with country icons Minnie Pearl, Dottie West, Connie Smith and Faron Young, the film features great tunes such as "Born to Lose," "Abilene" and "Young Love." Huntz Hall and Leo Gorcey (of Bowery Boys fame) portray stagehands.

Public Prosecutor Mathur names an accused, Sandeep Mishra, and three other suspects who had arranged the homicide of Lucknow-based journalist Monica. The trio are Aseem Ray - a wealthy publisher; Pamela Grewal - a businesswoman; and Chandrakant Pandit - the former Telecom Minister and soon-to-be Chief Minister of Uttar Pradesh. With odds stacked heavily against him, Mathur presents, what is an apparent circumstantial case before a female judge, and must prove beyond a reasonable shadow of doubt, that Sandeep was directly involved - even though direct evidence indicates that the murder was committed by two unknown males, and that the deceased victim lived a dual life.

Unexpectedly pregnant with no means to raise a child, Dina and Ronnie decide to sell their unborn baby over the Internet. Their plan begins to unravel when the couple they've chosen, Paul and Maria, turn out to have an agenda of their own.

Shake the cup of Purinpurin and dive into the pool with uniforms!! Aiming for further swordfish, to a new fronter.

Sigue de El secuestro de Lola. Lola y su novio, el policía Jorge, son atacados por su archienemigo El maestro. Primero se salvan echándose a un río, pero en el siguiente ataque Lola pierde su trailer y en él perece su padrino Borolas. Como Jorge anda atrapando traficantes en Colombia, los mecánicos de Lola y su madrina Susana la ayudan a reparar otro trailer viejo y con el Lola compite en una carrera cuyo premio es un trailer nuevo. En la competencia Lola es atacada por otra trailera cómplice de El maestro, pero Lola la vence y además gana la carrera, cuando Susana añade mezcal en la gasolina. Para entonces el Pelón, uno de los mecánicos de Lola a sido secuestrado por El maestro pero seduciendo a los vigilantes Lola y Susana se introducen en la guarida de los mafiosos y con ayuda de Jorge, que regresa oportuno, acaban con ellos. No obstante, cuando Lola y sus amigos bautizan su nuevo trailer son atacados por un asesino desconocido.

Forty years ago, a documentary film about Soviet cardiac surgeons was released. Perhaps, for the first time on our screen, doctors reflected on the value of human life, talked about their experiences caused by the death of a patient, about the imperfection of Soviet medicine, the lack of knowledge and responsibility of doctors. For forty years, medicine has made an incredible breakthrough, but the moral problems that plague doctors have remained the same. “You can’t get used to death” is the leitmotif of the paintings, old and new. The film was awarded as the Best Non-Fiction Film at the Russian Film Festival "Window to Europe" - 2016.

Two fraternal twin sisters learn a family secret while a young man plots a revenge trap in the shadows of a downtown gospel mission.

In feudal Japan, women are vulnerable, in need of protection, and capable of deception. Jokichi of Mikogami, a drifter, has not yet fully revenged the death of his wife and son. He searches for Kunisada Chuji, who in turn has hired the knife-throwing Windmill Kobunji to kill him. Kobunji and Jokichi meet in the winter, near Sasago Pass, when both have rescued women: Jokichi has saved the lute-playing Oyae whose clan and whose lover want her dead; Kobunji has rescued Oharu, a well-born woman married to an innkeeper. Is this rescue a whim or something deeper? And why does Jokichi become the consumptive Kobunji's protector? What ultimately will Jokichi do about Oyae?