Agathe runs an art gallery. Her husband François is a publisher. Together they have one son, and in every way seem to be the picture of normality — but emotions are stewing under the surface. All it takes is the arrival of a complete stranger for things to start unravelling. Patrick is brash, uncouth and totally unselfconscious...

Jean empieza a trabajar como ayudante de un fotógrafo obsesionado con el arte arcaico de los daguerrotipos y atormentado por la muerte de su esposa, cuya presencia aún se nota entre las sombras. La primera película que Kiyoshi Kurosawa realiza fuera de Japón mezcla romanticismo e intriga, prolongando con naturalidad la concepción que el cineasta tiene de lo fantasmagórico.

A comedy that follows the break-up of a French rock group.

Wedding planner Abby (Nicole Gale Anderson) specializes in fixing weddings that went wrong, but when she is forced to work with her ex-fiancé (Parker Young), she soon begins to question whether their relationship was the disaster she remembers.

Marie-Jo ama profundamente a Daniel, su marido, pero también ama a Marco, su amante. Cuando Marie-Jo deja su hogar y se va a vivir con Marco, Daniel espera angustiado su regreso. Son dos amores incompatibles, pero hay que seguir adelante.

After Sans tambour and an international tour with Oh My Gad! performed in English in more than fifteen countries, Gad Elmaleh is back with a new one-man show, D'ailleurs. An intimate and jubilant show! For nearly two years, the comedian has crisscrossed France with this sixth show mixing stand-up and characters, free of the desire to please. An unfiltered return, eagerly awaited by his audience, to be discovered in this recording at the Dôme de Paris. Gad Elmaleh confides on his daily life, his American adventure, his relationship with his parents, his sons and his former girlfriends.

Two weddings collide when both receptions are held at one hotel.

There are two of them: a mother and a girl. They have no names. And they are in a constant run. The mother runs away from the daughter in an attempt to start new life, and the girl runs after her mother as she has no idea how to live without her. This endless run is full with repeated mistakes and resembles a barrel-organ sorrowful song or a spinning-top rotation. This small ridiculous toy "volchok" was the first toy in the girl's life, the only thing that tied her with the mother.

La directora Tamra Davis rinde homenaje a su amigo en este documental, pero también profundiza en Basquiat como un iconoclasta. Su arte conceptual fue la moda, un artista negro con éxito que se enfrentó constantemente al racismo y las ideas equivocadas. Entrevistas con información privilegiada y metraje de archivo.

Una mujer se interpone entre un actor-cantante enviado al frente durante la I Guerra Mundial y un campesino que se enriquece con el conflicto.

The Thompson family is accused of murder when a stranger dies at their dinner table. Six months later, family friend Tim visits freelance therapist Dr. Eric Sacks and the story finds it's way to the press. The facts are bent and the details spun as the Thompsons become known to the public as 'The Family of Killers'.

When their little cheat fails, Alain and Jean Pierre fail their final high-school exams in English. Their parents deny them the planned vacation to the Cote D'azur and send them instead to Ramscale in England, to improve their English. However many other parents had the same idea, so they meet more of their own than English folks and end up more at beach parties than in class. Only with the girls they seem to have no luck, although they desperately try...

10 Years Later is a dark comedy about six childhood best friends returning home for their ten year high school reunion. When one of them kidnaps an enemy from their past and inadvertently gets the others involved, each must decide whether to turn in a best friend or become accomplices in a dark plot that none of them are sure they can pull off.

Uruguay /// Leo, un joven en pleno proceso de autoaceptación y definición sexual, se reencuentra con Caro, una ex compañera de escuela primaria que le gustaba cuando eran más pequeños, y que ahora vive su propia crisis personal. Ese reencuentro casual va a repercutir en los conflictos de cada uno, sin que ninguno de los dos sepa lo que realmente le pasa al otro.

Goshu es un violoncelista que ama la música, pero que toca en una orquesta cuyo director es tan exigente en cuanto a la ejecución técnica de sus músicos, que se siente presionado, de tal forma que las gratas sensaciones que Goshu vincula a la música quedan doblegadas ante los requerimientos de ser músico profesional. Un grupo de simpáticos animales le ayudarán a recuperar ese sentido y sentimiento musical, y a percibir el valor de la música a una nueva escala.

Following both the death of her father-in-law and a divorce, Jesse, a New Yorker, returns to a small town to live with her now widowed mother-in-law. Jesse struggles to fit in with the local townsfolk who don’t welcome her with open arms to say the least. Jesse becomes acquainted with the local pastor, her widowed brother-in-law, falling in love with him, much to the dismay of the community. Things get even more complicated when her ex-husband comes calling, suspiciously trying to win her back. Between her love life and entangled in-laws, Jesse is tested as she seeks the answer to where she truly belongs.

En el marco de la ocupación de Polonia durante la Segunda Guerra Mundial, narra la historia de un hombre cuya huida y supervivencia se convierten en una búsqueda de la propia identidad. A pesar de que la película fue galardonada en Polonia como mejor ópera prima, su distribución fue entorpecida por las autoridades.

Basada en la vida real de Saartjie Baartman, una mujer sudafricana que fue exhibida como un animal a principios del siglo XIX en la Academia Real de Medicina de París (1817). "No he visto nunca una cabeza humana tan parecida a la de un simio", dice el anatomista Georges Cuvier frente al cuerpo sin vida de Saartjie Baartman. Un grupo de colegas aplaude su ocurrencia. Siete años antes, Saartjie había llegado de Sudáfrica con su padrino Caezar para vender su cuerpo al morboso público londinense que compraba entradas para los zoos humanos. Fue así como Saartjie, la Venus Negra, había conseguido ser una mujer libre y esclava al mismo tiempo.