Four friends -- Pankaj (Naseeruddin Shah), Bobby (Atul Kulkarni), Shakti Chinappa (Ravi Kissen), Albert Pinto (Kay Kay Menon) -- want to rob a lonely house in a lonely stretch of it's Rs 20 crore fake Indian currency... and the very fake note vending machine that lies in there. Just one problem: They have no plan...

Delicioso homenaje a las películas de monstruos, dirigido por uno de los nombres capitales del género y con los cameos de Frank Darabont, Robert Rodriguez y Eli Roth.

Russia, January 25, 1725. "Give it all...". The emperor's weakening hand was able to write in his will only these two short incomprehensible words that kept Russia in a bloody struggle for the crown for a century.

In 2009, the small town of Cohasset, Massachusetts was rocked with tragedy. A 17-year-old high school senior named Collin Mason murdered three classmates. All the murders were videotaped and uploaded to the Internet via bit torrent sites and for three days, the world viewed the murders of these three innocent teens. Through legal action, the parents of the victims were able to remove all footage from the Internet and the town tried to save face by pretending it never happened. Bootleg copies of this footage are still passed around and downloaded through illegal means. The impact of this video is still being felt in Cohasset today. The video has become infamous, and is now referred to as The Cohasset Snuff Film.

Macedonia is a small country, in the heart of the Balkans, which for five centuries was under the yoke of the Ottoman Empire. The action of the film "To the Hilt" takes place in the years of the general collapse and "free fall", after the Macedonian uprising of 1903 which was extinguished in blood. The story is a love quadrangle between an uncompromising idealist rebel, a merciless Turkish officer, an opportunist rich man's son returning home after his studies in Europe and a lucid and open minded European woman, who flirts with the three men and puts in train a series of events with dire consequences, that she could hardly imagine. The film is a harsh and romantic story in which the eternal Macedonian cause for own identity and independence is seen through the prism of relativity of the ideas of freedom, justice, love, sacrifice, and treason.

Raquel's life is turned upside down when a terrible accident results in the death of her child and the confinement of her husband to a wheelchair. Without any way to support her and her disabled husband, Raquel turns to a life of crime and partners with a petty thief named Paco who falls in love with her.

After 20 years of exile in Paris, Gustavo returns to his native city São Paulo. Back home, he encounters a place which no longer exists. His old friends and family members have changed, almost beyond recognition. He tries to recapture the past, and make some sense of his life, that of his friends and family, and the present state of his native country.

Five short stories.

Valerie Graves, a misanthropic, disillusioned woman in her mid-twenties, is haunted by sadistic urges that she has struggled to repress since childhood.

Agron and Marjeta are happily engaged until in a trial presided by Agron, two people accused of theft reveal facts that implicate Marjeta's father. Agron is torn between love and duty.

Spit Earth: Who Is Jordan Wolfson? is a feature documentary film about this controversial and divisive artist who in the ensuing five years has only solidified his stature with unnerving and provocative new works that elicit extreme reactions from both critical naysayers and vocal proponents alike. Wolfson is not content to play by the rules of a conservative self-policing art market that favors the status quo, instead preferring to make us squirm as he engages a host of lightning-rod issues facing our society today; homophobia, misogyny, racism, white nationalism, antisemitism and violence to name but a few. Wolfson is an art maker on the world stage whose immersive works take on today’s endemic virtue signaling and politically correct narratives, veritably throwing it all back into our faces.

It has hardly been seen before that a 83-year-old actor has starred in a Danish film, but it is the case here, where Kai Holm says goodbye to a long life in film and theater service. He plays an old peasant who on his deathbed is waiting for his son (Jon Bang Carlsen). In a few days he relives the village life, he comes from, and which was marked by a hard and authoritarian upbringing. He is at his father's deathbed despair because it is still impossible to make contact, and in a crisis situation, he recognizes his father's brutality in itself. The film draws a bitter picture of human relationships where dreams while they die, degenerates into power relations.

Junko (Sho Aikawa) is a low-level yakuza in the service of Yoshikawa (Toru Minegishi), despite the misgivings of his uncle (Jo Shishido). He lives off of the money earned by his girlfriend and is more interested in trying to look cool than anything else. He meets Yumeko (Chikako Aoyama), an innocent but dangerous narcoleptic runaway, after she steals his car, and she soon moves in with him. Following the assassination of a high-ranking member by the Kazama Family, Junko is called on to be the lookout while the family gets revenge. However, the other men quickly "zoom", or escape from their duty, leaving the task to Junko. Will he take out Kazama, or will he zoom?

An adult man is recalling his childhood years in North Russia during WWII.