Recorded at the Saitama Super Arena, Tokyo, Japan, on 27 October 2005.

Documental realizado en dos partes, por el historiador de cine Luciano Berriatúa. Esta primera parte se centra en su infancia, su vida personal y sus primeros trabajos en cine, incluyendo "El castillo encantado", "Phantom" o "Las finanzas del gran duque". (FILMAFFINITY)

Inferior gangster Flying Dragon has a bad habit of gambling, he thus offends the three great gamble deceivers. Luckily his younger cousin, Roy, who comes back from America is extraordinarily lucky, he can win every round of the game and saves Flying Dragon. Flying Dragon hence brings Roy to Mahjong casino to earn money for him. Roy observes the rivalry between two Mahjong geniuses Hua San Yuan and Ge He Qing by chance, he witnesses the fate of them - one turns to be insane and one becomes bankrupt, and decides not to snatch the reputation of "The King of Mahjong". Though Roy has no desire to seize the fame, his good luck elicits the worry of aggressive Mie Luo who then plans to harm Roy.

Mexican feature film

This poignant human drama is phrased as a "small sonata" in three movements -- a novel approach by director and writer Micheline Lactôt to tell the story of two teenage girls. In the first movement, Chantal (Pascale Bussieres) rides the same bus every day and slowly develops an infatuation with the bus driver. Their interactions are expressed through gestures and glances and facial expressions, but not words. Just as Chantal is getting old enough, and maybe courageous enough to actually say something to the driver, fate steps in and she loses her chance. In the second movement, Louisette (Marcia Pilote) hides out on a fishing boat and is discovered by a Bulgarian fisherman who treats her with kindness and consideration and they spend a special evening together -- without being able to speak a word in the other's language. In the third movement, Chantal and Louisette become friends, and as kindred spirits they share a sense of loss and hopelessness.

A fight breaks out over a poster.

India's capital Delhi is the center-point of this story, depicted as a degenerate and corrupt city with Members of Parliament with big criminal rap sheets, ruling the roost, transferring or killing honest police officers, promotion their own corrupt cops, openly collecting weekly bribes (haftas) from local businesses, pimps, prostitutes ET AL, even openly holding an auction for bidders to bid for areas for black-marketing purposes. Lala Khurana is the uncrowned king of Delhi and he runs it with the help of a Member of Parliament, & the Director General of Police. His advocate Chintamani Chaubey wants him to contest the next elections, ensuring his win, and making his own laws, appointing his own police officers, who will do his bidding, carrying on without any checks and balance. Khurana likes this idea, but feels he is getting too old, but would like his son, Devendra Kumar, to run and be the next State Chief Minister.

Two friends attempt to reconnect.

Cortometraje escrito y dirigido por ALBERTO RUIZ ROJO. Con GUSTAVO SALMERON y EVA MARCIEL. Fotografía JESUS HARO, Dirección de Arte MARINA ANAYA, Música RAFAEL ARNAU y MARIO GOSALVEZ. Ganador del GOYA en 2005 y de más de 150 premios nacionales e internacionales.

Don’t disturb the man in the cradle...

Russian front, January, 1943. It's hell: the flurries of sleet take the breath away and Sergeant Bisi can make out nothing in the landscape in front of him.

The Royal Shakespeare Company act (and sing and dance!) Shakespeare's play about two sets of identical twins, separated at birth and brought together by circumstance.

Sundari Sara Mathews, popularly known as Suma, meets Victor, the school's new English teacher and falls for him. However, before expressing her feelings to him, another teacher, Lekha, asks him out and he accepts, leaving Suma heartbroken. While at a low point in her life after losing her mother and arguing with her brother, Suma is consumed by jealousy and plots to break up Lekha and Victor to have him to herself.